He brings both Asian sensibility and French New Wave cinematic techniques to each of his stories. As with Wong’s other films such as Chungking Express, Days of Being Wild , Happy Together and Fallen Angels , In the Mood for Love dictates the arbitrary nature of romance and the notion of the ‘missed moment’. He consistently employs a signature ‘parallelling’ and ‘intersecting’ rhetoric in which his characters arbitrarily cross paths. Wong’s protagonists are most often revealed to be a set of individuals existing within the visual array of urbanity. Wong successfully grants introspective gazes at his characters (usually in sets of twos), exploring their insecurities, personal motives and ultimately the random nature of relationships. Again, Wong’s arbitrary rhetoric finds expression in the poetic and brightly drenched tones of his unique filmic aesthetic, and his much-loved themes of loneliness, isolation, and longing rise to the sur...
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