Paige's Film Studies Blog

He brings both Asian sensibility and French New Wave cinematic techniques to each of his stories. As with Wong’s other films such as  Chungking Express,   Days of Being Wild ,  Happy Together  and  Fallen Angels ,  In the Mood for Love  dictates the arbitrary nature of romance and the notion of the ‘missed moment’. He consistently employs a signature ‘parallelling’ and ‘intersecting’ rhetoric in which his characters arbitrarily cross paths.  Wong’s protagonists are most often revealed to be a set of individuals existing within the visual array of urbanity. Wong successfully grants introspective gazes at his characters (usually in sets of twos), exploring their insecurities, personal motives and ultimately the random nature of relationships. Again, Wong’s arbitrary rhetoric finds expression in the poetic and brightly drenched tones of his unique filmic aesthetic, and his much-loved themes of loneliness, isolation, and longing rise to the surface. At this time in 1962, 13 years a

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German Expressionism Depiction of reality that is widely distorted for emotional effect One of the most popular German expressionism films is  The Cabinet of Mr. Calgary , directed by Robert Wiene who hired Expressionist painters like Walter Reinmann and Hermann Warm to actually paint his sets Conventions Twisted landscapes, insane or evil characters, more morbid plot-lines  External representation of internal emotion – this means that if the main character is in a “dark place” emotionally, then the setting must reflect that  Insanity/Obsession Evil/Insane/Obsessive characters Crime or the criminal underworld Urban settings Jagged lines and banding – often created by painting designs on the set Twisted architecture – such as spiral staircases and ominous arches Chiaroscuro – extreme lighting that incorporates dark shadows and bright patches of light, typically associated with Film Noir Silent – intertitles are used to fill in important dialogue. However, dialogue is se

On my presentation, I think I went into enough detail when talking not only about the themes of Lynch's films, but also about certain themes in general - such as surrealism. It was important for the listener to have no misconceptions on surrealism as I went into lots of detail on how it influenced Lynch's work, and how this style greatly supports the argument that he is an auteur. I also used quotes from articles online and from the documentary David Lynch: The Art Life , therefore using more than just my own opinion to back up my argument. These quotes are easily identified within the PowerPoint as I've highlighted them in red. The analysis I feel is in-depth, for example - I have mentioned Lynch's fear/struggle with parenthood several times and how it's inspired characters in his films, while also explaining some sources that may have caused him to create characters such as these, e.g. his own father. An important aspect of what makes an auteur an auteur is how

Due to the independent style of Winter's Bone, it address more niche topics that require active spectatorship. For example, the scene in which the sheriff explains the situation with Ree's father requires this type of spectatorship. It's emotional and extremely tense, and this atmosphere is supported by the diegetic sound of the chainsaw which hints at Ree's discomfort. Inception is a mainstream film that, unlike this, doesn't require much thought due to exposition. Some themes in Winter's Bone are: Patriarchy/feminism (but also oppression of men trapped in this role) - Ree doesn't support the stereotypical representation of women in film, and certainly doesn't for women in this society. The archetype of women is that they're 'damsels in distress' and also they need men.  Addiction, specifically Meth Family and loyalty Violation of the law  Film noir  

Vance Joy- Riptide Analysis Intertextuality- In  Un Chien Andalou, the well-known eye slicing scene could've inspired the hand stabbing scene  Action Code-when the suitcase is being packed as it implies travel Enigma Code-'there's this movie that I think you'll like', continues to linger on the back cover before flipping over and revealing the name  Editing- Jump Cut-fast paced editing keeps with the quick strums of the guitar  Connotation-money used as it has the connotations of green, the green then used to convey envy as she's 'the magicians assistant in their dreams'  Denotation-'I was scared of dentists', shows image of a scared women with dental equipment in her mouth looking frightened  Anchorage-'and starting conversations', image of a book titled 'techniques of photographing girls' Cultural Code- Cowboys, representation of women, based on the way they look and objectified    Semantics Code- Genre-